1. When
did you first start writing?
I wrote my first ‘novel’ while I was
still at school. It was a couple of hundred pages of drivel, an appalling
rip-off of lots of ‘school stories’ which I had read at that point. My English
teacher waded through it and was encouraging ( while suggesting that I might
think about writing something different ). It got thrown into the rubbish bin
long ago, to avoid embarrassment later. But I went on to study English
Literature. In later life, as a civil servant I wrote as part of my job, Press
Releases, Ministerial briefings and government reports ( only some of which
could be regarded as fiction ).
I continued to write stories for
friends, in letters and for my god-children. Then, to exercise my imagination,
I started writing longer tales. I enjoyed the creation of characters and places
and the possibility of engaging with ideas in an accessible and readily
understood way. I enjoy the word-smithing element too, of getting a phrase or
description just right. Now I can’t stop.
2. What
are your books about? Are you self / traditionally published or hybrid?
My first book was a collection of
short stories entitled ‘The Village; A
Year in Twelve Tales’ published by The Story Bazaar (my own imprint) in
April 2015 as a paperback and ‘e’ book. It chronicles the life of a
modern English village over the course of one calendar year. The twelve,
inter-linked stories portray a wide cast of disparate characters, as four
generations of the Marshall family negotiate the hazards of living, while,
around them babies are born, plots are hatched, matches are made and marriages
founder and death, both anticipated and unlooked for, pays a call. As Thornton Wilder said, ‘The life of a village against the life of
the stars’.
Since
then I’ve been working on a novel for young adults entitled ‘Reconquista’, set in 13th
century Spain that is out now. This is a is an adventure story set in 13th
century Al Andalus ( Spain ). I began to write it, ten or more years ago, as a
serial story for my nephew and god-son. We have a home in Jerez de la Frontera,
Spain and it is a place full of history. My nephew was about to visit there for
the first time. I wanted to engage him in the history and romance of the place,
so I write an adventure story, delivering ‘episodes’ on a gradual basis. He’s
twenty one now and the story which I wrote for him has changed out of all
recognition.
The
book opens on 9th October 1264 as King Alfonso X of Castile &
Leon is about to take the city of Jerez after a five month siege. Within the city,
fourteen year old Nathan, his older cousin, Rebecca and their friend, Atta, don’t
know what will become of them and their families. Everything they have always
known is challenged and friends and family will be scattered far and wide. Each of them also has to grow up and learn
some lessons about themselves before they can come together once again. It’s a classic ‘journey’ story.
3. What's
your writing process like? Do you outline? Do you write by hand / type /
dictate?
So
far, I’ve been unfocussed, but I’m learning that this is a convoluted and
disorganized way to work. I wrote a couple of articles on my website about the
lessons which I have learned about the process of writing. I could have saved myself a lot of time, effort and money if I had been more
organized about writing when I began.
4. How
much research do you do? What kind?
I do a lot of research, especially
given that I am currently writing a series of historical novels. Not just about the background – the
ongoing campaign by the Christian north to re-take the southlands from the
Muslim south. This is, in itself, full of stories of real heroes, El Cid, for
example, but the truth is often more interesting than the legend. So, even
though this is presented as a religious war, in fact, lots of towns and cities
changed sides, depending on circumstances rather than religion. El Cid himself
fought for Muslim cities as well as for the Christians and, sometimes, on his
own account.
I’ve had to think about what 13th
century daily life was like. In terms of food for example. I wrote a blog about it. In terms of general research I also
write a blog about researching.
Writing historical fiction can be
fraught with potential pitfalls. Especially when even professional historians cannot agree.
5. When
in the day do you usually write? For how long?
Having retired from salaried employment
I write full-time. For four weekdays out of five I begin work at around 9.30
and continue until about 6.30 ( with necessary breaks ). Depending upon what
stage I am at with a work and how I am doing against ( usually self-imposed )
deadlines, I often also work/blog/do publishing work on Saturday and Sunday
mornings. Of course, I do other things connected with publishing, go to
meetings, visit fairs and exhibitions etc.. At the moment I’ve been heavily
engaged in organizing the Clapham Literary Festival which will take place from
4th – 8th May this year.
6. Do
you now, or did you ever have any day jobs? Did they add to or detract from
your writing?
I was a teacher of English Literature,
but then moved into the British Civil Service and had a twenty-seven year
career doing some amazingly interesting jobs in several government departments
in Whitehall and in various other agencies, like the Commission for Equality
& Human Rights. I wrote a lot as part of my work, but no fiction (despite
what some might suggest).
7. What
project are you working on now?
Right
now I’m doing publicity for ‘Reconquista’
and helping to organize a Literary Festival in Clapham, South London, where I
live. This will run over five days and
three venues in Clapham Old Town and High Street from 3rd – 8th
May. We’re just finalizing the programme now, we’ve got some big name authors (who
happen to live locally, so are willing to give their time for free). And I am launching ‘Reconquista’ at the festival. It’s all very exciting.
My
next project will be a sequel to ‘Reconquista’.
It’s already in out-line. A sequel is necessary because not all the loose ends
are tied up at the end of the previous book. I didn’t plan it this way. Indeed,
Book 3 in the series is already in a rough draft, but I found that I couldn’t
conclude the story in about 400 pages, so I decided to split it into two books.
Its working title if ‘Convivencia’,
which means ‘living together’ and it’s about what happens after the heroes’
home city is conquered.
8. Describe
your desk / writing corner / favorite writing spot.
At
home in South London I write in our study at a Victorian desk (though using a
modern laptop), surrounded by mahogany book cases. When it’s warm I write
outside in our garden under the hawthorn tree.
But
my favourite place to work is in the gardens of the Alcazar in Jerez de la
Frontera, Andalucia, Spain. This twelfth century castle has lovely ‘arab’
gardens, with fountains ad rills of water amid olive and citrus trees and
flowers. It is very evocative and makes it easy to imagine living at that time.
There
are usually some tourists looking around, but they leave me alone. The people who run the castle are quite happy
to let me in to work, though I’m sometimes a bit worried that they will forget
that I’m there and I’ll end up locked in for the night (I often lose all track
of time). Only last visit I was working
away when one of the security guards found me – all the office staff had gone
home!
9. What
books do you like to read? What are you reading now?
I
read a lot and usually have a fiction book and a non-fiction book going at any
one time. I read new books, of all kinds (though not erotica or the latest
fads, like vampire novels) and I re-read favourites and classics.
At
the moment I am reading ‘Nightwalking’
by Matthew Beaumont and ‘I Can’t Begin to
Tell You’ by Elizabeth Buchan, because I am being the ‘interlocutor’ in
their discussion about landscape and the imagination at the Literary festival.
Both live in Clapham and their books feature the area.
Before
then I read Neal Stephenson’s Baroque Trilogy – ‘Quicksilver’, ‘The Confusion’
and ‘The System of the World’. They
are amusing and erudite books about late sixteenth and early seventeenth
century England. I’ve also been dipping into the Aubrey/Maturin sea-faring historical
novels by Patrick O’Brien, because part of ‘Reconquista’
is set on a ship
10. Do
you ever get writers' block? What are some ways you get around it?
I
haven’t so far. Sometimes I am at a loss for a subject to blog about, but then
I just go into central London to see something, an exhibition, an historic
monument or an event and write about that. There is so much that is free and available to a Londoner.
11. How
much marketing do you do? Which platforms are you most active on?
I promote my books and other Story Bazaar authors
(though there are other Story Bazar authors to be published this year, they
haven’t been yet). I have made lots of mistakes and am still making them. I wrote about this on my website too.
I am on Facebook and Twitter, but don’t use them
as much as other people –
before I set up The Story Bazaar I didn’t use either of them, so I’m not a
natural ‘social media’ user. I did use
LinkedIn and Pinterest and I still use those.
I get some interest from all these platforms.
12. What's the most fun aspect of marketing? The most
challenging?
Actually
understanding how best to promote a book is the most demanding and
intriguing. No-one really knows what to
do to guarantee success, as far as I can see, there are no simple rules or
answers. What works for one doesn’t work for another.
Mastering
new technology is challenging too. But then that’s part of the whole deal for
me – learning new skills. So, while it can be frustrating sometimes, it’s also
what I want to do.
Bio:
Julie Anderson is a writer and publisher. She was born in the English midlands, spending much of her childhood in a semi-rural village. Yet she has lived in South London with her husband and cats for most of her adult life. There they enjoy the cultural life of the city and eating out with their friends. Occasionally they visit their Andalucian retreat.
Her first publication was ‘The Village; A Year in Twelve Tales’ a
collection of short stories. She has since edited and published a compendium of web-site articles,
blog-posts (by herself and others) and short fiction which has appeared on her
website at www.thestorybazaar.com. The book is called ‘The Story Bazaar 2015’ and it is the
first of the annual Story Bazaar compendia.
Her new publication is an adventure story set in 13th century
Spain entitled ‘Reconquista’ for
‘middle graders’ and above.
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Reconquista
It is 9th October 1264. Outside the city an army awaits the signal to attack.
It is 9th October 1264. Outside the city an army awaits the signal to attack.
Within the city walls, fourteen year old
Nathan, his older cousin, Rebecca and their friend, Atta, face an uncertain
future. On this fateful day, the city they have always known is about to be
torn apart. Friends and family will be scattered far and wide. Each of them has a fateful decision to make. Each
has a journey to undertake.
In war-torn Al Andalus King and Emir vie
for supremacy. Bandits and pirates roam land and sea in their wake, as our
heroes set out on their desperate journeys to find freedom and safety. If
they are to succeed, they must first face down their fears and decide what
sort of people they want to be. All of them have to grow up. Not all of them
will make it home.
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